Anime, like every storytelling medium, has its moments of eerie synchronicity—twin series phenomena the place two reveals drop in live performance with each other and echo one another’s themes with uncanny precision. Normally, this narrative mirroring performs out within the well-worn grooves of isekai: a protagonist dies (typically by a rogue truck) and wakes up in a supernatural fantasy realm brimming with magic and adventurer tropes.
However this fall, the two-way mirror cracked in a distinct path. We’ve seen not one, however two supernatural drama sequence steeped in queer longing, every circling the identical seductive premise: falling for the monster. It’s unusual, it’s particular, and it completely guidelines that it occurred twice.
On the forefront of queer anime’s horror renaissance is The Summer Hikaru Died. In it, Yoshiki Tsujinaka faces an unimaginable selection: destroy the demonic entity sporting his greatest good friend’s pores and skin, or let it hold dwelling as “Hikaru”—somebody he’s clearly nonetheless in love with after his passing. His egocentric resolution to protect their twisted companionship unleashes a cavalcade of horrors. As yokai descend upon their quiet countryside city, the 2 should grapple with their relationship and what they’ve grow to be since Yoshiki determined to maintain “Hikaru” round, regardless of the clear and current hazard he poses.
Hikaru’s yokai possession is simply the floor of their mess. Beneath it lies Yoshiki’s wrestle to parse his emotions each for “Hikaru,” the entity, and Hikaru, the boy he misplaced—as he weighs whether or not their uncanny relationship ought to be severed for the village’s security or preserved as an area to grieve.
In the meantime, “Hikaru” grapples together with his personal id: are his affections and fierce protectiveness remnants of his host’s dying want, or one thing intrinsic to the monster he’s grow to be? That pressure between rejecting “monstrous” instincts or embracing them as genuine is one other ripple within the present’s queer thematic present. Add in Yoshiki’s conservative mother and father casually imposing heteronormativity, an on a regular basis horror for queer youth who aren’t out, and the looming menace of yokai, and the sequence turns into a pendulum swing between supernatural dread and the quieter violence of emotional repression. All, in our humble estimation, is a recipe for a reasonably good horror anime.
As if to say, “Boys had their enjoyable; now it’s darkish yuri’s time,” enters Crunchyroll’s This Monster Desires to Eat Me. True to its title, the anime follows Hinako, a depressed excessive schooler who, after dropping her household in a tragic incident, flings herself into the ocean on some Kate Chopin’s The Awakening vitality—solely to be saved by an odd lady with deep ocean eyes. Hinako, liable to zoning out and fantasizing about sinking into the depths of the ocean, finds herself tethered to Shiori, who’s simply as intent on preserving her afloat. Seems, Shiori’s a mermaid. And in Japanese folklore, mermaids skew much less Disney princess and extra Greek siren.
Like “Hikaru,” Shiori’s entire deal is defending Hinako from different yokai feasting on her blood. The one distinction is that her chivalry is within the service of her wanting Hinako all to herself. It’s a supernatural connoisseur setup: Shiori’s ready till Hinako is ripe sufficient to eat. Hinako, in the meantime, is somewhat too into the concept, discovering a twisted consolation in understanding Shiori’s eventual devouring of her will grant her absolution and a reunion together with her household. There’s so much to unpack, however at its core is a slow-burning, forbidden romance à la Carmilla and Laura in Joseph Sheridan Le Fanu’s vampiric Dracula progenitor novel. The darkish sapphic pretense of Shiori wanting Hinako to style good earlier than she eats her just about interprets to her wanting her meet-cute gal pal to be comfortable earlier than the tip. It’s romantic, we swear.
Whereas Netflix hasn’t leaned as laborious into the overt queerness of its supernatural anime, Crunchyroll’s group definitely has—dropping quippy YouTube clips about “pre-meal pillow speak” and Hinako being Shiori’s “A5 wagyu human.” Keep within the queer anime sport lengthy sufficient, and also you earn the precise to riff on “Will you have a meal, or a bath? Or will you have me?” in your promo copy, apparently.
What makes this wave so refreshing is its prominence. These aren’t area of interest aspect tales in a grander journey you may skip previous. They’re entrance and heart. And it’s one thing we’re seeing an increasing number of in newer crops of anime. Sanda, for example, takes a subtler strategy with Shiori Fuyumura, enlisting her Santa Claus-transforming classmate, Sanda Kazushige (who clearly has a crush on her), to seek out her (and presumed lifeless) lacking good friend, Ichie Ono. All of the whereas, Ichie and Shiori’s bond hints at one thing deeper than simply being classmates, serving because the driving drive behind the Prime Video anime sequence’ madcap misadventures.
And on the horizon, I Want to Love You Till Your Dying Day guarantees to be one other entry within the rising canon of darkish supernatural sapphic storytelling.
So why do these musings on queer tales in anime matter? As a result of every of those sequence demonstrates how queerness, when woven into the material of supernatural storytelling, doesn’t simply verify a field to diversify the style; it deepens it. These aren’t simply garden-variety tales of yokai and monsters. They’re tales of grief, want, id, and survival, refracted by way of queer lenses that problem the norms of who will get to be haunted, who will get to be cherished, and who will get to be monstrous.
In a medium typically saturated with recycled premises, romances, and tropes, these reveals really feel like a breath of recent (albeit eerie) air. They function reminders that anime, at its greatest, is for everybody, and that it turns into extra resonant when it dares to step exterior the well-trodden path. And actually, in a style the place yokai often hunt infants, brides, and virgins, who wouldn’t need a ravishing, forlorn monster to avoid wasting them from their spiraling existential dread?
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